齐物等观:国际新媒体艺术三年展

开幕时间:2014年6月10日

展览场地:中国美术馆3, 5, 7, 13,14,15,16,17,,19,20,21展厅

主办:中国美术馆

展览时间:2014年6月11日-7月7日

馆址:北京市东城区五四大街一号

网址:http://mediartchina.org



“齐物等观:2014年国际新媒体艺术三年展”,是自国际瞩目的2008北京奥运文化项目“合成时代:媒体中国2008”艺术展开始,继2011年 “延展生命:媒体中国2011” 正式以国际新媒体艺术三年展推出之后,由中国美术馆举办的第三届大型国际新媒体艺术展。前两届展览受到了广泛的社会关注与媒体报道,其中包括中央电视台,中国日报、中央人民广播电台、人民日报、文汇报、光明日报、新华社、北京日报、中国青年报、《Vision青年视觉》、《Esquire时尚先生》、《Domus》、《Vogue》、《新周刊》、《艺术新闻报》、《纽约时报》、《国际先驱论坛报》、《亚太艺术》、《艺术论坛》、中国国际航空Skymedia、及全国各地的地方媒体。


该3年展系列探讨在技术时空建构的当代语境下对新型社会文化现象的认知及发展趋势,为国际前沿媒体艺术创作,论述与展示提供了重要的平台。 2014年的展览将展出包括由22个国家和地区,65位艺术家及艺术家组合创作的58件作品, 绝大部份作品将首次与中国观众见面。

从逆引力而动的金属軸承的诡异运动到独角拔地而起的维多利亚式家具; 从要借助放大镜才能窥其典雅的缩微乐器到缠绕伸展直至充满近500平方米空间的纪念牌式的充气自动体,从冥冥中微博的喃喃自语到18世纪田园风情在数字时代变幻无尽的任意组合,从穿梭在银河系的芸芸万物到生态垃圾所衍生的新生命形态,展览围绕“独白:物自体”; “对白:器物之间”;“合唱:物之议会”三个层层递进的主题展开,以物,器,人贯通一体的“齐物等观”的视野,并以技术媒体独有的潜力触发物之能动性,回应目前知识界对于包括非人类主体在内的多重主体的反思, 为庄子“齐物平等”的大同理念注入新颖的当代解读与启迪。新媒体艺术所揭示的自在,自创,自生及自主的活力, 对于摆脱媒介工具论的固有思维并颠覆被符号及语义解析垄断的艺术评价系统, 拓展艺术想像新的可能,构建美学的新表述提供了契机。

与展览同时推出的画册是集特约论文及作品图录为一体的学术出版物, 由中国美术馆与利物浦大学出版社联合出版并在全球发行。撰稿者包括卡洛琳·克里斯托弗·巴伽基夫( Carolyn Christov-Bakargiev ), 格拉汉姆·哈曼( Graham Harman ), 马克·H.B·汉森( Mark B. Hanson ), 肖恩·丘比特( Sean Cubitt ),蒂莫西·莫顿( Timothy Morton ),汪晖,张尕。



参展艺术家:

Aaajiao 徐文恺 | CN, Keith Armstrong | AU, & Lawrence English | AU, Cécile Babiole | FR, Ralf Baecker | DE, Christopher Baker | US, Rosa Barba | DE, Catherine Béchard | CA, Julius von Bismarck | DE & Benjamin Maus | DE, Rejane Cantoni & Leonardo Crescenti | BR, Chen Shaoxiong 陈劭雄 | CN, U-Ram Choe | KR, Revital Cohen & Tuur Van Balen | UK, Jessica Deboer | NL, Noa Dolberg | IL, Zoro Feigl | NL, Ken Feingold | US, Benjamin Gaulon | FR, & Tom Verbruggen | NL, & Gijs Gieskes | NL, Jean-Pierre Gauthier | CA, Petra Gemeinboeck | AT/AU, & Rob Saunders | UK/AU, Michael Joaquin Grey | US, Gustav Hellberg | SE, Hu Jieming 胡介鸣 | CN, Sabin Hudon | CA, Yunchul Kim | KR, Pe Lang | CH, Margareta Lekic | HR, Marcos Lutyens | UK/US, Chico MacMurtrie | US, Lawrence Malstaf | NO/BE, Wade Marynowsky | AU, Jennifer & Kevin McCoy | US, Ronald van der Meijs | NL, Martin Messier | CA, Erwin Redl | AT/US, Carl-Johan Rosén | SE, Adriana Salazar | CO, Björn Schülke | DE, Karolina Sobecka | US/PL, Saša Spacal | SL, & Mirjan Švagelj | SL & Anil Podgornik | SL, Wolfgang Staehle | DE/US & Jan Gerber | DE, Thomson & Craighead | UK, Jacob Tonski | US, Jonathan Villeneuve | CA, Silvio Vujicic | HR, Wang Chung-Kun 王仲堃 | CN/TW, Wang Yuyang 王郁洋 | CN, Gail Wight | US, Wu Juehui 吴珏辉 | CN, Yang Jian 杨健 | CN, Yang Zhenzhong 杨振中 | CN, Pina Yoldas | TR/DE, Zhang Peili 张培力 | CN, Zimoun | CH

视觉形象设计: Pentagram: Natasha Jen 任黛珊, Pei Y Ni 倪珮怡
中国美术馆与利物浦大学出版社合作出版

展览组委会

主席:范迪安(中国美术馆馆长)

艺术总监|策展:张尕

顾问委员会

阿历克斯·阿德里安森斯(V2,主管)Alex Adriaansens, (Director, V2)
卡洛琳·克里斯托弗·巴伽基夫(第十三届卡塞尔文献展,艺术总监)Carolyn Christov- Bakargiev (Artistic Director, Documenta 13)
比约恩·诺伯格 Bjorn Norberg (瑞典Bonniers konsthall艺术馆)
安德里·杜歇(莫里奥集团,主管)Andree Duchaine (Director, Groupe Molior)
克里斯托弗·甘兴(Transmediate,主管)Kristoffer Gansing (Director, Transmediale)
格拉汉姆·哈曼(开罗美利坚大学,教授)Graham Harman (Professor, American University in Cairo)
鲁晓波 (清华大学美术学院,院长)
金·马产(MAAP,主管)Kim Machan (Director, MAAP)
欧佳·玛契申(Kontenjner,主管) Olga Majcen ( Director, Kontenjner)
约尔·斯雷顿(ZERO1,主管)Joel Slayton (Director, ZERO1)
迈克·斯塔布斯(FACT,主管)Mike Stubbs (Director, FACT)
汪晖(清华大学,教授)WANG Hui (Professor, Tsinghua University)
彼得·韦贝尔(ZKM,主席)Peter Weibel (President, ZKM)



鸣谢
Peter Anders,Monica Bello,Sabine Himmelsbach, Caroline A. Jones,Benjamin Weil


合作机构

V2_Institute for the Unstable Media (NL)
V2_ 多变媒体中心,荷兰

Le Groupe Molior (CA)
莫里奥集团,加拿大

Academy of Arts and Design, Tsinghua University (CN)
清华大学美术学院,中国

TASML | Tsinghua University Art and Science Research Center Media Lab (CN)
TASML | 清华大学艺科中心媒体实验室,中国

Goethe Institut (China) (CN)
歌德学院(中国),中国

Kontejner (HR)
Kontejner,克罗地亚

Liverpool University Press (UK)
利物浦大学出版社,英国

MAAP, Media Art Asia Pacific (AU)
亚太媒体艺术节,  澳大利亚

FACT | The Foundation for Art and Creative Technology (UK)
艺术与创意技术中心,英国

Transmediale (DE)
超媒体艺术节,德国

ZERO1, The Art and Technology Network (US)
零点媒体艺术中心,  美国



实施:
中国美术馆

运输:
中国美术馆

公共教育:
中国美术馆

宣传:
中国美术馆

画册:
中国美术馆,利物浦大学出版社联合出版

主编:范迪安, 张尕

前言:范迪安

论文作者:卡洛琳·克里斯托弗·巴伽基夫,格拉汉姆·哈曼,马克·B.N.·汉森, 肖恩·丘比特,蒂莫西·莫顿,汪晖,张尕。



设计:
Pentagram: Natasha Jen 任黛珊, Pei Y Ni 倪珮怡


--------------------------ENGLISH--------------------------


thingworld: International Triennial of New Media Art 2014

Opening: June 10 2014

On View: June 11 - July 7 2014

Galleries: 3, 5, 7, 13, 14, 15, 16, 17, 19, 20, 21

Address: National Art Museum of China  (NAMOC)

No. 1 Wusi Street Dongcheng District

Beijing 100010 P. R. China

http://mediartchina.org



“thingworld: International Triennial of New Media Art 2014” is the third edition following the internationally acclaimed Olympic Cultural Project “Synthetic Times: Media Art China 2008” and “transLife: International Triennial of New Media Art” which was officially instituted as a triennial of new media art at the National Art Museum of China in 2011. The previous exhibitions have received extensive media attention and publicity with coverage from major news outlets such as China Central Television (CCTV), China Daily, Radio China, People’s Daily, Wenhuibao, Guangming Daily, China News Agency, Beijing Daily, Southern Daily, China Youth Daily, Vision, Esquire, Domus, Vogue, New Weekly, The Art Newspaper, New York Times, International Herald Tribune, Art Asia Pacific, Artforum, and Skymedia.

These triennials have investigated the most current intellectual trends in the discourse of media art and culture, providing a prominent platform for a global presentation and theorization of cutting edge media artwork. The 2014 edition will present 58 works by 65 artists and artistic collectives from 22 countries. Most of the works in the exhibition will be shown in China for the first time.

From metal balls ascending in an uncanny anti-gravitational movement to a Victorian sofa standing precariously à l’attitude; from miniature instruments which require a magnifying glass to peek at their elegance to monumental inflatables that entwine and elongate to permeate 5,000 square feet of gallery space; from murmuring tweets from the virtual void to billions of algorithmically generated configurations of a mere 24 cards depicting an 18th century genre painting; from the umwelt of artifacts shuffling through a galaxy to a new ecosystem that emerges from the chemical sludges and trash vortex of the Pacific Ocean, the exhibition unfolds its three themes: Monologue: Ding An Sich; Dialogue: Ding to Thing; and Ensemble: Parliament of Things in a reciprocal interrelation. By aligning Physical Being, Technical Being and Psychic Being (to borrow a concept of being from Gilbert Simondon) as the new vista of equality, Technology (as the reciprocal transduction of humanity and technicity) with its initiating motility may be the surprise candidate to turn anthropocentrism on its head: physical beings via technical beings achieve their own vivid presences, their own agency and autopoiesis, their own generativity, thereby evoking a conative penetration for the human being. They act and interact, dialogue and monologue, or chorus in the assemblage of the thingworld. In celebration of thingworld, there emerges an opportunity to reinvigorate the impasse of cultural production that is contingent solely on the premise of a human subject through a much-expanded field of operation; there will be a newfound world of discussions, concerns giving rise to new forms of artistic experimentation and new vocabularies of aesthetic manifestation that resonate with a vision of equity molded by a renewed political ecology, that is the “Equality of All Things.”

The catalogue accompanying the exhibition is co-published by The National Art Museum of China and The Liverpool University Press. Essay contributors include Graham Harman, Carolyn Christov-Bakargiev, Mark B.N. Hanson, Sean Cubitt, Timothy Morton, WANG Hui and ZHANG Ga.



Participating Artists

Aaajiao | CN, Keith Armstrong | AU, & Lawrence English | AU, Cécile Babiole | FR, Ralf Baecker | DE, Christopher Baker | US, Rosa Barba | DE, Catherine Béchard | CA, Julius von Bismarck | DE & Benjamin Maus | DE, Rejane Cantoni & Leonardo Crescenti | BR, Chen Shaoxiong | CN, U-Ram Choe | KR, Revital Cohen & Tuur Van Balen | UK, Jessica Deboer | NL, Noa Dolberg | IL, Zoro Feigl | NL, Ken Feingold | US, Benjamin Gaulon | FR, & Tom Verbruggen | NL, & Gijs Gieskes | NL, Jean-Pierre Gauthier | CA, Petra Gemeinboeck | AT/AU, & Rob Saunders | UK/AU, Michael Joaquin Grey | US, Gustav Hellberg | SE, Hu Jieming | CN, Sabin Hudon | CA, Yunchul Kim | KR, Pe Lang | CH, Margareta Lekic | HR, Marcos Lutyens | UK/US, Chico MacMurtrie | US, Lawrence Malstaf | NO/BE, Wade Marynowsky | AU, Jennifer & Kevin McCoy | US, Ronald van der Meijs | NL, Martin Messier | CA, Erwin Redl | AT/US, Carl-Johan Rosén | SE, Adriana Salazar | CO, Björn Schülke | DE, Karolina Sobecka | US/PL, Saša Spacal | SL, & Mirjan Švagelj | SL & Anil Podgornik | SL, Wolfgang Staehle | DE/US & Jan Gerber | DE, Thomson & Craighead | UK, Jacob Tonski | US, Jonathan Villeneuve | CA, Silvio Vujicic | HR, Wang Chung-Kun | CN/TW, Wang Yuyang | CN, Gail Wight | US, Wu Juehui | CN, Yang Jian  | CN, Yang Zhenzhong | CN, Pina Yoldas | TR/DE, Zhang Peili | CN, Zimoun | CH

Visual identity and catalogue design:
Pentagram: Natasha Jen, Pei Y Ni


ORGANIZED BY
The National Art Museum of China



EXHIBITION COMMITTEE

Chair
FAN Di’An  (Director, NAMOC)


Artistic Director / Curator
ZHANG Ga

Advisory Board
Alex Adriaansens, (Director, V2)
Carolyn Christov - Bakargiev (Artistic Director, Documenta 13)
Bjorn Norberg (Bonniers Konsthall)
Andree Duchaine (Director, Groupe Molior)
Kristoffer Gansing (Director, Transmediale)
Graham Harman (Professor, American University in Cairo)
LU Xiaobo (Dean, Academy of Arts and Design, Tsinghua University)
Kim Machan (Director, MAAP)
Olga Majcen (Director, Kontenjner)
Joel Slayton (Director, ZERO1)
Mike Stubbs (Director, FACT)
WANG Hui  (Professor, Tsinghua University)
Peter Weibel (President, ZKM)


With special thanks to
Peter Anders, Monica Bello, Sabine Himmerlsbach, Caroline A. Jones, and Benjamin Weil


IN COLLABORATION WITH
Le Groupe Molior (CA)
MAAP, Media Art Asia Pacific (AU)
V2_Institute for the Unstable Media (NL)
Kontejner  (HR)
ZERO1, The Art and Technology Network (US)
Goethe Institut (China) (CN)
Transmediale (DE)
Academy of Arts and Design, Tsinghua University (CN)
TASML | Tsinghua University Art and Science Research Center Media Lab (CN)
FACT | The Foundation for Art and Creative Technology (UK)


Produced by
The National Art Museum of China


Implemented by
Exhibition Dept. NAMOC


Transportation
Logistics Dept. NAMOC
Public Education
Education Dept. NAMOC
Public Relations and Promotions
PR Dept. NAMOC





CATALOGUE


Co-Published by
The National Art Museum of China and the Liverpool University Press

Edited by
FAN Di’An, ZHANG Ga


Essays By
Carolyn Christov-Bakargiev, Graham Harman, Mark B.N. Hanson, Sean Cubitt, Timothy Morton, WANG Hui, ZHANG Ga


Design By
Pentagram: Natasha Jen , Pei Y Ni
Comments(0) | Trackbacks(0) | Reads(12763)