Medium Religion 宗教媒介

2008/11/24 16:36 | 分类: Articles | by lizhenhua
现在人们主要利用影像来进行宗教运动,这些影像能在一瞬之间借助当代大众传媒而传遍全世界。由于图片、视频和电视等电子媒体能被迅速地制作和传播,它们已成为宗教宣传所选择的媒体。目前人们所谈论的“宗教回归”并不意味着如今对宗教虔诚的人变得更多了。相反,它意味着宗教已经走出个人信仰的私人领域,进到视觉传播的公共领域。在这个意义上,一方面,宗教的功能就是像机器一样重复,利用大众媒体传播机械制造的影像。
Today's religious movements operate predominantly with images that can be spread across the entire world in a flash by means of contemporary mass media. The electronic picture media video and television have become the chosen media for religious propaganda as they are capable of being produced and distributed especially fast. The "return of religions" that people are currently talking about does not necessarily mean that more people have become religious nowadays. Instead, religions have moved from the private sphere of personal belief out into the public sphere of visual communication. In this, religions function, for one, as machines for the repetition and mass medial distribution of mechanically produced images.

《报应》文献

2008/11/24 15:50 | 分类: Articles | by lizhenhua
一,本活动由六个艺术家参加,每人在同一展览空间中工作。 从活动开始后每个参与艺术家在该空间中独立工作一周,每周六为开放日。 第二个参 与者接看工作一周后,第二周六开放。后续者以此类推。
二,空间中初始的材料由参与人员共同选定,第一个工作者必须以既有材料为基础制作作 品,可以增添其它材料。 第二个工作者必须在前一件作品的基础上工作,可以改变其形态和构成,可以增加其 他材料,不得将己存在的物质搬出该空间。后续者以此类推。
三,空间中四角设置监视摄像头,实时记录每时工作进程。
四,参展艺术家出场先后次序由抓阄决定。次序决定之后不得因旅行、健康等各种借口擅自调整改变。不能到场工作者可以摇控他人代为操作。
五,本活动为不同时间内在同一空间中举办的一个联展,强调作品之间的关联性与过渡性, 不得视为系列个展。
六,活动进程中的重大变化和每次公开展示的结果将通过网络即时发布。

0=10000

2008/11/22 22:27 | 分类: Articles | by lizhenhua
从0到1构成数码(code)世界,数字化生存早已经不是一个值得惊叹的话题,但是从0到1,再到0的过程中,也是佛教的从无到有和从有到无的过程。
Masayuki Akamatsu is the most famous MaxMSP prompter in Japan. How
long have you learnt with him and what kind of influence did you get
from him? It's really interested that I will meet him in Shanghai
eArts Festival and let us know more between you and him.

李振华 邱志杰 访谈

2008/08/26 11:31 | 分类: Dialogue | by lizhenhua
其实这5年就是前面九杯酒啊,最后这口醉。
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